Associate Professor, English
Faculty in the Initiative on Race and Resilience
- 264 Decio Faculty Hall
Notre Dame, IN 46556
Areas of study
- African and African American
- Creative Writing
Ph.D., Creative Writing. Georgia State University.
M.A., English (Creative Writing). Rhode Island College.
B.S., English (Creative Writing) and Communications. Florida State University.
Research and teaching interests
Fiction and Creative Nonfiction Writing, Caribbean Literatures, Contemporary Literature, Antiracist Writing Pedagogies, African American Literature, Narratology.
Dionne Irving Bremyer is originally from Toronto, Ontario. Irving Bremyer writes fiction and nonfiction that investigates and questions personal, cultural, and national hybridity emergent in a postcolonial world. Her fiction and nonfiction have appeared in Story, Boulevard, LitHub, Missouri Review, and New Delta Review, among other journals and magazines. Two essays, “Treading Water” and “Do You Like to Hurt,” were notable essays in Best American Essays 2017 and 2019. She is the author of the novel Quint (7.13 Books) is a fictional retelling of the true story of the Dionne Quintuplets. Her short story collection The Islands (Catapult Books) follows the lives of Jamaican women—immigrants or the descendants of immigrants—who have relocated all over the world to escape the ghosts of colonialism. Her edited collection Breastfeeding and Culture: Discourses and Representations (Demeter Press)include essays that deal with the varied and complicated ways in which cultural attitudes about mothering and female sexuality inform the way people understand, embrace, reject, and talk about breastfeeding. Irving Bremyer been nominated for multiple Pushcart Prizes and has been awarded two Tennessee Williams scholarships from the Sewanee Writers’ Conference and a scholarship and residency from the Voices of Our Nation Writers Conference.
- The Islands: stories. Catapult Books
- Quint: a novel. 7.13 Books
- “Do You Like to Hurt?” The Chattahoochee Review.
- “Treading Water.” The Missouri Review.