Each creative writing course at Notre Dame is unique to the professor teaching the course. As such, there are no generic descriptions for creative writing courses at the university. Instead, we offer a variety of teaching methods and approaches to the subject which students may choose from in order to best fit their specific goals. Below are examples of the courses offered.


Spring 2020


ENGL 90011-01
Graduate Fiction Workshop
Azareen Van der Vliet Oloomi
R 3:30-6:15

A fiction workshop for graduate students in the MFA in Creative Writing program, with an emphasis on students developing their own aesthetic and personal vision, juxtaposed to and within the larger movement of the contemporary literary world. 

 

ENGL 90031-01
Graduate Poetry Workshop
M 9:30-12:15
Joyelle McSweeney

Our goal in this class is to lock in on our vision for our own writing and help others to lock in on theirs. We will do this by reading widely and diversely and thinking about the aesthetic, occult and political powers of poetry in our contemporary and pre-contemporary publishing universes. We will read across cultures and languages with an open and receptive ear, eye, heart and brain, ready to be changed by poetry. We will think about poetry as a medium among media and we will test our ideas by encountering texts and artworks that we do not normally think of as poetry at all. 

 

ENGL 90041-01
Graduate Translation Workshop
R 12:30-3:15
Johannes Göransson

Perhaps the most famous definition of poetry in American literature is Robert Frost's quip that poetry is that which is "lost in translation." Translation, it appears, is both central and marginal in the way we think about literature in this country. Through translation seemingly stable texts and notions of authorship become volatile. That is in large part why translation has at times been a source of anxiety in American literature, and at times a source of inspiration. In this class we will explore this volatile zone of translation by translating literary texts (prose, poetry, drama etc), reading theoretical texts, and by bringing our experiences as writers and readers, artists and scholars to the topic. Although it would be helpful, fluency in a foreign language is not required. Translation Studies is in the middle of an exciting moment - conventional ways of viewing translation are being questioned and US literature is becoming increasingly interested in foreign literatures - and this class will participate in this moment.

 

ENGL 90092-01
Practicum: Teaching Creative Writing
F 11:00-12:15p
Johannes Göransson

In this course we'll work collaboratively to think through the practical, theoretical, institutional, interpersonal, political, and, oh yes, artistic implications of teaching creative writing at various types of academic institutions as well as in community settings.

 

ENGL 92011-01
Practicum: Literary Publishing
Johannes Göransson
F 9:30-10:45

A review of the current state of literary publishing in the U.S. and abroad.