Hip-hop and boxing are not just entertainment for Notre Dame’s two new Moreau Academic Diversity Postdoctoral Fellows, Brian Su-Jen Chung and Jesse Costantino; they’re fertile ground for academic research. Chung, in the American studies department, and Costantino, in English, joined the College of Arts and Letters in fall 2011 as part of a University effort to enhance cultural awareness and diversity within the campus community.
Renowned poet Robert Creeley (1926-2005) was a master bookshelf builder, driven by a need to keep his beloved books “safe, sorted and out of harm’s way,” says his widow, Penelope Creeley. Thanks to a Library Acquisition Grant from the University of Notre Dame’s Office of the Provost, some 200 volumes of the late poet’s works are now safely tucked away in the special collections section of Notre Dame’s Hesburgh Libraries, with hundreds more to follow.
University of Notre Dame students were awarded 13 Fulbright grants for the 2011-12 academic year, placing the University among the top universities in the nation. Eleven of the 13 are from the College of Arts and Letters. The U.S. government’s flagship international educational exchange program, Fulbright recently announced the complete list of colleges and universities that produced the most 2011-2012 U.S. Fulbright students.
October brought with it the experience of a lifetime for Margaret Doody, the John and Barbara Glynn Family Professor of Literature and the first Director of the Ph.D. in Literature Program, who spent the better part of the month in Singapore and China delivering lectures about the novel, women novelists, and the Enlightenment. Her trip began with a week long visit at Nanyang Technical University in Singapore followed by two weeks in China where she lectured at Beihang University and Peking University in Beijing. Professor Doody is best known in China for her monograph The True Story of the Novel
Electronic music roars and pulsates throughout the theatre. On stage, a blind man paces, struggling to escape the ring of steel bars that confine him. Meanwhile, a stern figure in a sleek suit and sunglasses stands guard. When the lights dim and dialogue begins to flash above the stage from an overhead projector, one thing is clear: This production of John Milton’s Samson Agonistes is far from ordinary.